Kieran Browne has a background in visual arts and a PhD in machine learning. His laurels include several peer-reviewed publications, an artwork exhibited at the National Gallery of Australia, and being briefly cited in the French wikipedia article on artificial intelligence. His creative practice is primarily software based but incorporates elements of old media. Amongst his works are drawing machines, generative art, an anti-surveillance camera app, and a ouija board that can compute neural networks.
hello@kieranbrowne.com
2020, Sick of AI engines scraping your pics for facial recognition? Here's a way to Fawkes them right up, The Register
2020, Reconnaissance faciale : voici comment y échapper sur les réseaux sociaux, We Demain
2020, Blocking Facial Recognition, Communications of the ACM
2019, Practice-led research by creative re-use in the Australian Research Council Project Heritage in the Limelight, Early Popular Visual Culture
2018, OK Computer, National Gallery of Australia Blog
2018, Seven Visualization Talks That Terrified Me At CHI, Eager Eyes
2020, smoke, Big Band Room, Canberra ACT
2019, The Fig Tree, AD Space, Sydney NSW
2019, Colour Coded, Drill Hall Gallery, Canberra ACT
2018, Performing Drawing, National Gallery of Australia, Canberra ACT
2018, The Curious Feast, ANU Popup, Canberra ACT
2018, The Magic Lantern in Australia, National Film and Sound Archive, Canberra ACT
2018, alt.chi, Palais de Congrais, Montreal QC
2015, The Rendered Experience, Nishi Gallery, Canberra ACT
2015, Graduating Exhibition, ANU School of Art Main Gallery, Canberra ACT
2013, The Mountain, Belconnen Arts Centre, Canberra ACT
2012, Sense, ANU Photography and Media Arts Photospace, Canberra ACT
2011, Site Transformation, National Gallery of Australia Sculpture Garden, Canberra ACT